Showing posts with label kapusta kid. Show all posts
Showing posts with label kapusta kid. Show all posts

Thursday, December 9, 2010

Pass The Kapusta Please!

As has been mentioned in previous posts, our friend Rick Spector runs a company called "Stairway To The Stars" which specializes in costumes, props, awards and historical artifacts from the golden age of film and television. One of the ways Rick obtains these items is through auction.

I became aware of Rick and his work last year when I posted this piece about Ernie's classic puppet bit, "The Kapusta Kid In Outer Space". At that time the puppets were up for auction but nobody was buying them. After getting to know Rick through email correspondence it occurred to me that there wouldn't be a better person to acquire and care for those legendary puppets. I guess Rick felt the same way, because he ended up buying them. Now, a lot of folks will get to enjoy them!

Rick sent me an interesting email with some pics of a couple of the Kapustas which he brought to a recent event. Our thanks go to Rick for granting permission to share these with you:
Hi Al,

Just wanted to share with you that some months ago we were asked to display some of our vintage film and TV used puppets at the Orlando Puppet Festival at the Avalon Island Gallery in downtown Orlando. This event is hosted by Heather Henson's (Jim's daughter) IBEX Puppetry Company. The event was launched with a special opening night party on Nov 16th and runs through to Dec. 10th. They have posted numerous images on their Facebook pages of which I include a few here including one of Heather.. I was specifically asked to bring Ernie and "Albumen".

I also made a slide show presentation for all the puppets and included a section on Ernie with stills of him with "Albumen" doing the "Kapusta Kid in Outer Space". It is on a digital screen that loops next to the cases for people to learn about or remember Ernie.

Rick



Rick mentioned in another email that the duck in the case with Ernie and "Albumen" was made for Dave Seville by Morey Bunin and used by him on American Bandstand in 1957:


David Seville was famous for his creation "Alvin And The Chipmunks", who of course figure very big during the holiday season with their number 1 hit "The Chipmunk Song (Christmas Don't Be Late)."

And on that note all of us here in Kovacsland wish you a most Happy Holiday Season and best wishes for a prosperous New Year in 2011!  It's your gracious support throughout the year that helps to keep Ernie's legacy alive for a new generation of fans.

And, as EK himself might have said:    "It's Been Real!"

Tuesday, December 22, 2009

Kapusta Kids And Nairobi Trios: IN COLOR

Did the title grab your attention Kovacsians? Good. It was supposed to.

I have a great visual treat for you today and considering Ernie was such a visual comic the shoe, or in this case the shoes, masks, scarves and hats, fit.

The Hollywood Entertainment Museum held an auction this past weekend of their 100 year old collection of television and film memorabilia in order to raise money for at-risk youth. Included in the inventory of this most worthwhile cause were a mother lode of goodies from Kovacsland.

Wonderful puppets from Ernie's parody of children's sci-fi and puppet shows, "The Kapusta Kid In Outer Space," were some of the featured items. Rick Spector, a new fan of the blog and website, was the lucky winner of the EK puppet which you see pictured below. He seems to think these puppets may have been made by the late puppeteer Larry Berthelson and this certainly may be the case as his puppets appeared regularly in Ernie's early shows. "Kapusta" incidentally is the Russian, Polish, Ukrainian, and Slovak word for cabbage. You might say Ernie's puppets were the original "Cabbage Patch Kids."

In addition to the puppets, the masks and costumes of Ernie's legendary "Nairobi Trio" were also up for auction. And, as if that wasn't enough, throw in some title cards from two of Ernie's early shows, "3 To Get Ready" and "Kovacs Unlimited," some assorted props (including the "Nairobi Trio" mallets) and an odd prop with dials known as "Gearshift's Mechano Almanac" which, quite frankly, I've never heard of. It's amazing what great shape these items are in considering they date back to the early 1950s. (ED. NOTE: I have to make a correction as we've just been informed that the masks pictured are not the actual ones, but facsimiles since the original is very fragile and I'm assuming they decided not to handle it too much. Please read the comments section for additional clarification. My apologies!)

I certainly hope you enjoy the color photos posted below; something different since they, along with Ernie, were always seen on TV in black and white:











Well, there you have it Kovacsians. Until next time Happy Holidays and a very sincere "It's Been Real!"

ED. NOTE, DEC. 26TH, 2009:

The Museum Of Broadcast Communications in Chicago has their archives listed online so you can view the list. Some of these listings have a digital file accompanying them for viewing and ⁄ or listening.

"The Ernie Kovacs Show" from December 19th, 1955, is one of these. The show contains as one of its sketches "The Kapusta Kid In Outer Space." I uncovered this while doing some further research on the puppets. The EK puppet is not in the sketch but many of the others are.

To view this file:
  1. Visit this link and sign up. It’s free.

  2. Once you login choose the "TV" link, put Ernie Kovacs in "Keywords" and check the box at the bottom that says "Digital File Available". Then click submit. The archive listings for several files along with links to them will then come up. Look for catalog # TV_05449-3 with a date of 12/19/1955.
Most people who visit my EK sites know I don't usually promote online files because most of the time the person uploading them does not have permission to do so. Many times I'm sent emails with links to EK file downloads which I ignore and delete. My assumption here is that a broadcast museum is not just putting up clips without permission.

Wednesday, April 11, 2007

A Reminiscence From "Goldbug"

Let me start off by saying that Ernie's MySpace Fan Page is up to 269 friends. Once again (and I can't say it enough) a profound thanks to all the folks who accepted our invitation. Please let your friends know about us as well.

One of those friends is a great guy who goes by the name of "Goldbug" on MySpace and is a devout Ernie-phile, "Kovacs-phile" or as I like to say "Kovacsian" which I guess is sort of an Armenian term. Here he remembers the first time he ever saw the great Ernie Kovacs:

I was always "blamed" for the fact that my family became the third on our block to own a television set. (When did they stop calling them "sets"?)

The second set belonged to the family of the only other little kid on the block. She had recently turned five. I was three-and-a-half. We were playmates; and she'd introduced me to the Howdy Doody Show. It aired just as her family were preparing to sit down to dinner; and I had to be removed– kicking and screaming– to my own television-less home. My Father always claimed that he bought the damned thing just to shut me up...

On the last Saturday morning of 1950, a truck from the local appliance store pulled into our driveway. It was bitter cold outside, with wind-driven snow flurries. Two men in coveralls manhandled an enormously heavy Westinghouse table-top black-and-white– with a HUGE 17-inch screen– up the front steps and into the corner of the living room that had been vacated, the day before, by the Christmas tree which by then had served its purpose. They set up the TV, then left my Father in charge of its operation. He twiddled its knobs, and twisted its rabbit-ears, as a test-screen came into focus. I wanted to watch Howdy Doody then and there, and couldn't understand why that wasn't possible. In his most imperious tone, the Old Man warned me that I was never to touch his television without a grownup in attendance. It had cost him six hundred dollars. (And those were 1950 dollars!)

I did I was told through Sunday. But by Monday morning, I couldn't resist any longer. Immediately after breakfast– while nobody was looking, I turned it on. To my disappointment, Howdy Doody was a no-show. Instead, there appeared a man with a moustache and a cigar. The picture flickered and rolled. I whined. Somebody came into the living room; and after scolding me for messing with the television unattended, adjusted the picture, and left me alone to watch. Thus came my first introduction to Ernie Kovacs.

The show, of course, was 3 To Get Ready. I don't remember any details of what Ernie did that day, but it was sufficiently zany and infectious that from that moment forward, Howdy Doody was eclipsed. I still watched him, of course. Religiously. As did my friend Karin. Our set was newer than theirs, the screen was larger, and the picture sharper. But for me, the real thrill of the day was Ernie. I never missed him. I considered myself very privileged not to have to go to work or school, as my Father and sisters did. I stayed tuned for the whole show.

I remember the clock in the corner, the Kapusta Kid, Gertrude the giant rag-doll, and Norman Brooks, the news-man. I remember watching the test screen, knowing that at any moment, the fun would begin. And it always did. I recall Ernie running down a corridor, toward the camera, calling "I'm coming! I'm coming!" One morning, when he wasn't there, an announcer introduced "The star of our show" and Gertrude came flying into view from off-camera, to the shrill sound of a siren-whistle. She landed head-first, and sprawled across the floor. Another time, Ernie climbed out of the ceiling...

Forty years later, I relived those days in the pages of "Kovacsland." Once, in an admiring imitation of Ernie, I flung a cold pancake across the kitchen. Instead of a laugh, I got a spanking. I distinctly remember the hands of the clock behind Norm Brooks spinning in fast-motion. And I remember water dripping on the hapless newsman from above, while he maintained his composure and continued reading the news with a straight face. I laughed myself silly.

Ernie kept popping up during the day. At less than four years of age, I wasn't big on cooking shows. I remember "plugs" for Deadline for Dinner on the station breaks, but the show never interested me– until the day Ernie showed up, and made a shambles of the kitchen while appearing to have the time of his life. And there was "Kovacs on the Corner" with Pete Boyle (who, several years later, introduced my generation of Philadelphia kids to The Little Rascals) and Al the Dog. Supposedly, Al was invisible to grownups. Somebody played along with the gag one day, and I became a true believer.

Then Edith Adams joined the fun. I thought her name was "Eat-It." She wasn't on "Deadline for Dinner" but Ernie was. I thought maybe she "ate" the zany concoctions Ernie cooked up in the afternoon. But I never saw her eat. She sang; and laughed; and was pretty...

"Ernie in Kovacsland" came on shortly before my bedtime. I laughed so hard I couldn't fall asleep. His humor seemed specially designed to appeal to little kids. I'd seen his daughters on TTGR. They were mine and Karin's ages. He knew how to make us laugh; and seemed to take great pleasure in doing so.

Then one day, to my horror, he was gone. By sheer coincidence, he left WPTZ at just about the same time that the grand steam locomotives of the Pennsylvania and the Reading Railroads were replaced by those boxy, boring diesels. In my young mind, I always equated the disappearance of Ernie and the steam trains, and thought there was a connection. Now, in his place on Channel 3 was some bespectacled guy with a boring voice and a chimpanzee. I cried and whined until the grownups warned me that if I didn't desist, they'd give me something to cry about.

I don't remember "Kovacs Unlimited" at all. Either it wasn't on in Philadelphia; or it came on past my bedtime. Fortunately, by the time the ill-fated Ernie Kovacs Show aired, my parents were bored of Uncle Miltie. Plus, they too had enjoyed Ernie in his local Philadelphia days. I don't think I ever missed the show during its short run. In fact, for the rest of his lifetime, I don't think I missed anything that Ernie Kovacs appeared in. Today, I own the DVD's; the videotapes; a copy of a circa-1988 special from the Classic Movie Channel; A&E's Biography of Ernie; a copy of "Between the Laughter" with Jeff Goldblum; and "Kovacsland" by Diana Rico.

One Saturday morning in January 1962, I awoke to the horrifying news that Ernie had died in a car crash the night before. I was fourteen-and-a-half by then, and had been a fan for eleven years. That coming week, I was to give an oral report in English class, on my favorite television show. Naturally, I had chosen the Ernie Kovacs Dutch Masters Specials. That Saturday, I closed myself in my room and cried all day. It was the first time in my life that I'd ever cried over someone's death. By Tuesday, I had prepared a "substitute" report on "The Flintstones" because I was afraid I'd cry in front of my English class, if I tried to do the one on Ernie.

Today, I'm into my 57th year as an Erniephile. And I'm sure I'll continue to be one, until I draw my final breath...

Thanks, Goldbug, for a great story! And, my friend, for saving me from having to write a lot today!

I like to end every post with some relevant Ernie links which I've found during the previous week either on blogs or on the web. Here's one that was nice enough to link to my site, http://www.erniekovacs.net/ without me having to ask. Its talks about the ending credits for Ernie's show:

http://themoderatevoice.com/entertainment/11996/classic-comedy-ernie-kovacs-final-shows-opening-credits/

And, I found this blog entry about the Nairobi Trio from fellow blogger "Sisysphus:"

http://hoosierinva.blogspot.com/2007/04/more-friday-fun.html

That's all for this week. Thanks folks. Its been real!